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| And then the Bitter Man |
| finished his soup supper and went to the cupboard |
| he took down a thick leather case |
| and he showed the poet something |
| something terrible. |
| The open case revealed |
| the old mans collection of poisonous flying insects |
| large and hideous |
| lethal Amazonian insects |
| pinned and preserved in frozen deathform on the hobby board within the case. |
| And the Bitter Man explained: |
| "On Saturday mornings I go to the park to frighten the schoolchildren. |
| I open my box and let them see, let them see what is inside, |
| and then I say "See.....seee children...Look! Life is not all cartoons |
| and Christmas. Life is cruel...quite cruel. Behold! Behold my collection. |
| The only one of its kind! My collection of lethal flying insects.... |
| look and see |
| see the awful shape |
| the black form |
| the form that nature has given to these creatures |
| creatures created to spread only pain, pain and death." |
| And suddenly the Bitter Man stopped himself |
| and he stood there in his kitchen, perhaps having realized he had |
| said too much, revealed too much. |
| He looked at me and then spoke carefully and slowly, |
| "You uhhh...you think me cruel, cruel no doubt. Yes! I see it in |
| your eyes.... and I dont...dont blame you. However, consider this: |
| children...all children are foolish |
| they need...preparation. They must learn...must learn about..."life." |
| And then his voice rose, and I could see his frail body begin to shake. |
| And he went on; |
| "And "life"....."life" my young-idiot soup-sipper.... |
| "life" I tell you, |
| is hard and cruel, evil, black, vile and deceitful. |
| "Life....." the Bitter Man screamed in a dry rasping roar; |
| "Life!" the word exploded |
| a tearing wrench of strained flesh sound |
| from the throat of the old man. |
| And he kept on screaming the word; "Life....Life".... |
| The word was a dry wind |
| A terrible bomb |
| and it bounced from the awful plastic curtains |
| rebounding off the faded grim rose wallpaper |
| and he went on and on |
| and I thought that soon the manager, or the police would arrive |
| any minute |
| and break the door down. |
| Then the Bitter Man pointed at me with his long fishskin finger. |
| "Cruel eh?" |
| "Cruel? No...no...it is not cruel to show the children one of the |
| many macabre forms, some of the myriad of infinite shapes that Evil takes. |
| I show them, I show and they see...see these hideous monstrosities of |
| the jungle night...the perfect black designs of death....I show them |
| so that they might be shocked. Shocked for one unforgettable moment.... |
| shocked away from the false warmth of the terrible electronic fantasy |
| dreams...dreams that fill them...fill them with nothing...only |
| ..only dangerous nonsense...dreams that make them candidates for the |
| supreme and terrible fate...the fate they must meet when they enter |
| the "real world"...the world of men and money. They must see that "life" |
| ...a torture chamber of unlimited rooms...for the children, for the ones, who did not, or would not take the time |
| to see what I have shown |
| right here....in my collection of the "macabre" |
| in my "Box of Death". |
| "And so you see" said the Bitter Man, "you see how ironic it is.... |
| as so often happens here...here on the grim earth...the opposite, |
| the reverse of "what-seems-to-be" the opposite of what we think... |
| that is where the truth is. I mean, the truth is ...I..I who love children, |
| and who love people...I have acquired the reputation, and even the appearance |
| of a "nasty man"..a man who hates, who enjoys darkness, when in fact, |
| if you are able..able at all to hear what I have just said, and if you |
| have heard...you must see...(mustnt you?) You must see the truth.... |
| the real truth of it....?" |
| The Bitter Man suddenly sighed deeply and sank, mid sentence, onto |
| the hard plastic chair by the table. He muttered for a moment to himself, |
| "I mean, you must see, mustn't you....that I am not a ... |
| not a bad man?" |
| And then I looked at the Bitter Man, now silent and exhausted |
| hunched with his head in his hands in the chair by the kitchen table |
| and I looked |
| and I saw the remains of the tomato soup |
| still ringing the plastic bowls |
| and I looked at my untouched glass of warm tap water |
| which now had acquired a tiny dead gnat floating near the surface |
| and I rose up and walked to the window |
| and opened the pink plastic curtains |
| outside the afternoon had grown late |
| suddenly late |
| and below in the street it was downtown rush hour |
| and the cars and buses were moving |
| For a moment they seemed to be |
| strange metal shelled insects without feeling |
| And across the street there was a large illuminated billboard with the |
| huge body of a tanned and nearly naked female |
| and I saw the glass of milk she was holding |
| and I read the words "Milk Builds Strong Bodies" |
| And i heard the Bitter Man at the table behind me |
| sobbing to himself |
| I took a deep breath and felt the sea air mixed with exhaust. |
| The square and right angles of the buildings were cold and suddenly |
| forbidding, forbidding and ugly |
| but I looked at the sky to the west |
| and I knew |
| the sun would grow brighter and wider and would seem to expand as it |
| touched down behind the rim of the blue cold ocean |
| and although we were too far away to see the water |
| I knew it was there |
| and I knew that the clouds out there beyond the beach were moving, |
| moving with the earth, moving with everything that lives and breathes, |
| and above the tops of the buildings I could see the clouds |
| reflecting the light,the light of the sinking sun, the afternoon, |
| the water |
| and the light that they held was a beautiful light |
| It was not like the too-warm light filtered thru the plastic kitchen |
| curtains |
| and |
| and that made me happy |
| very happy. |
Written by:
Larry "Buzz" Blackburn
©1988